An Overview of the Methods of Using Digital Technologies for the Process of Teaching Scenography in the Bachelor's Degree System
89 135
Keywords:
digital transformation, methods of teaching scenography, scenography of Kazakhstan, educational technologies, multimedia.Abstract
The article summarizes the arguments and counterarguments in the framework of a scientific discussion on the digital transformation of the scenography of Kazakhstan. The main problem of the research work was caused by the lack of a methodology for teaching scenography in the context of the introduction of digital technologies. The main purpose of the study is to consider the international experience of the introduction of innovative educational technologies in stage design.
The content of the article reveals the methodology of the research, which is based on art, cultural, pedagogical aspects. The article examines the digital transformation of media art and scenography within the framework of scientific, review-theoretical and scenographic analysis. Educational aspects in teaching educational programs of scenography in universities, interdisciplinarity, performing and visual arts, visual means of expression, design (light, sound, media), theater, cinema, television, circus, design, architecture, etc. were taken as research tools. Since the methods of teaching digital technologies in scenography in the process of training for bachelors are project, brainstorming, case study and intelligence maps, special attention was paid to these issues during the research.
The scientific significance of the article is the conceptualization of technological, methodological aspects of digital technologies for the sustainable development of educational technologies in the preparation of bachelors.
The practical significance of the research results lies in the development of methods of digital transformation of the Scenography of Kazakhstan. The results of this study will be used as an overview and theoretical material in the development of methodic of teaching specialized disciplines in scenography.
References
Abbasi M., Vasilopulub P.I., Stergiulas L. Technology roadmap for the creative industries // Creative industries journal. – 2017. – №10 (1). – P. 40–58. https://doi.org/10.1080/17510694.2016.1247627
Auslender Ph. Liveness performance in a mediatized culture. – London & New York: Routledge Taylor & Fancis Group, 2008. – 200 p. DOI: 10.1017/S0307883300014140
Бисембаева А.В. Казахстан в мире сценографии и театрального пространства («Пражская квадриеннале 2011, 2015») // Центральноазиатский журнал искусствознания. – 2019. – №4(1). – C. 112–122. https://cajas.kz/journal/article/view/186.
Исабекова Г.Б., Дүйсенова Н.Т. Цифрлы білім беру жағдайындағы мектеп пен мұғалімнің құзыреттілігін арттыру мәселесі // Ясауи университетінің хабаршысы. – 2022. – №4(126). – Б. 133–143. https://doi.org/10.47526/2022-4/2664-0686.11
Кадирбаева Р., Бедебаева М. Онлайн білім беру платформалары арқылы аралас оқыту технологиясын қолдану // Ясауи университетінің хабаршысы. – 2022. – №3(125). – Б. 127–140. https://doi.org/10.47526/2022-3/2664-0686.11
Chapain K., Stachowiak K. Innovation dynamic in the film industry: the case of the Soho cluster in London // Creative Industries in Europe. – 2017. – P. 65–94. DOI: 10.1007/978-3-319-56497-5_4
Об утверждении Государственной программы «Цифровой Казахстан». [Электронный ресурс]. URL: https://adilet.zan.kz/rus/docs/P1700000827/links (дата обращения 18.04.2022)
Dixon S. History of New Media in Theater, Dance, Performance Art, and Installation. – Cambridge: MIT Press, MA, U.S.A, 2007. – 808 p. DOI:10.1162/leon.2008.41.3.294
Таукебаева Р. Метод проектов как способ организации и активизации самостоятельной работы обучающихся // Ясауи университетінің хабаршысы. – 2023. – №1(127). – С. 225–236. https://doi.org/10.47526/2023-1/2664-0686.19
Akeshova M., Torbik E., Baigabulova G. Methods and techniques of forming strategic competence in english language teaching on the base of information technologies // Ясауи университетінің хабаршысы. – 2023. – №1(127). – Р. 237–249. https://doi.org/10.47526/2023-1/2664-0686.20
O'Duayyer N. Digital Scenography 30 Years of Experimentation and Innovation in Performance and Interactive Media. – Bloomsbury Publishing House, 2021. DOI:10.5040/9781350107342
Резникова Е. Пространство новых медиа: поле взаимодействия казахстанских и зарубежных художников современного искусства // Центральноазиатский журнал искусствознания. – 2019. – №4(1). – С. 72–85. https://cajas.kz/journal/article/view/184
Protogerou A., Kontolaimou A., Caloghirou Yu. Innovation in the European creative industries: A firm-level empirical approach // Industry and Innovation. – 2017. – №24(6). – P. 587–612. DOI: 10.1080/13662716.2016.1263551
Sadlowska M.K., Karlsson S.P. I Brown K.S. Independent Cinema in the Digital Age: Is Digital Transformation the Only Way to Survival? // Economic and Business Review. – 2019. – №21(3). – P. 411–438. DOI: 10.15458/ebr.88
Жангужинова М.Е., Ербол А., Лунга И.В. Инновационные методики подготовки сценографов в контексте креативной индустрии // Педагогика и психология. – 2022. – №1(50). – С. 114–124. https://doi.org/10.51889/2022-1.2077-6861.09
Жангужинова М.Е., Тукенова К.Т., Ибраимова Ж.И., Айткулова Б.Д. Применение международного опыта профессионального образования в Казахстане // Технология текстильной промышленности. Серия Новости высших учебных заведений. Ивановский государственный политехнический университет. – 2019, – №6(384). – С. 308–312. https://www.scopus.com/authid/detail.uri?authorId=56178164200
REFERENCES
Abbasi M., Vasilopulub P.I., Stergiulas L. Technology roadmap for the creative industries // Creative industries journal. – 2017. – №10 (1). – P. 40–58. https://doi.org/10.1080/17510694.2016.1247627
Auslender Ph. Liveness performance in a mediatized culture. – London & New York: Routledge Taylor & Fancis Group, 2008. – 200 p. DOI: 10.1017/S0307883300014140
Bisembaeva A.V. Kazahstan v mire sсenografii i teatralnogo prostranstva («Prajskaia kvadriennale 2011, 2015») [Kazakhstan in the world of scenography and theatre space (the «Prague Quadrennial 2011, 2015»)] // Centralnoaziatski jurnal iskusstvoznania. – 2019. – №4(1). – S. 112–122. https://cajas.kz/journal/article/view/186 [in Russian]
Isabekova G.B., Duisenova N.T. Cifrly bilim beru jagdaiyndagy mektep pen mugalimnin quzirettiligin arttyru maselesi [The problem of improving the competence of the school and its teacher in the context of digital education] // Iasaui universitetinin habarshysy. – 2022. – №4(126). – B. 133–143. https://doi.org/10.47526/2022-4/2664-0686.11[in Kazakh]
Kadirbaeva R., Bedebaeva M. Onlain bilim beru platformalary arqyly aralas oqytu tehnologiasyn qoldanu [Application of blended learning technology through online educational platforms] // Iasaui universitetinin habarshysy. – 2022. – №3(125). – B. 127–140. https://doi.org/10.47526/2022-3/2664-0686.11 [in Kazakh]
Chapain K., Stachowiak K. Innovation dynamic in the film industry: the case of the Soho cluster in London // Creative Industries in Europe. – 2017. – P. 65–94. DOI: 10.1007/978-3-319-56497-5_4
Ob utverjdenii Gosudarstvennoi programmy «Cifrovoi Kazahstan». [Electronic resource]. URL: https://adilet.zan.kz/rus/docs/P1700000827/links (date of access 18.04.2022) [in Russian]
Dixon S. History of New Media in Theater, Dance, Performance Art, and Installation. – Cambridge: MIT Press, MA, U.S.A, 2007. – 808 p. DOI:10.1162/leon.2008.41.3.294
Taukebaeva R. Metod proektov kak sposob organizacii i aktivizacii samostoiatelnoi raboty obuchaiushihsia [Project method as a method of organization and activation of students' independent work] // Iasaui universitetinin habarshysy. – 2023. – №1(127). – S. 225–236. https://doi.org/10.47526/2023-1/2664-0686.19 [in Russian]
Akeshova M., Torbik E., Baigabulova G. Methods and techniques of forming strategic competence in english language teaching on the base of information technologies // Iasaui universitetinin habarshysy. – 2023. – №1(127). – Р. 237–249. https://doi.org/10.47526/2023-1/2664-0686.20
O'Duayyer N. Digital Scenography 30 Years of Experimentation and Innovation in Performance and Interactive Media. – Bloomsbury Publishing House, 2021. DOI:10.5040/9781350107342
Reznikova E. Prostranstvo novyh media: pole vzaimodeistvia kazahstanskih i zarubejnyh hudojnikov sovremennogo iskusstva [Space of new media: field of interaction for Kazakhstan and foreign artists of modern art] // Centralnoaziatski jurnal iskusstvoznania. – 2019. – №4(1). – S. 72–85. https://cajas.kz/journal/article/view/184. [in Russian]
Protogerou A., Kontolaimou A., Caloghirou Yu. Innovation in the European creative industries: A firm-level empirical approach // Industry and Innovation. – 2017. – №24(6). – P. 587–612. DOI: 10.1080/13662716.2016.1263551
Sadlowska M.K., Karlsson S.P. I Brown K.S. Independent Cinema in the Digital Age: Is Digital Transformation the Only Way to Survival? // Economic and Business Review. – 2019. – №21(3). – P. 411–438. DOI: 10.15458/ebr.88
Jangujinova M.E., Erbol A., Lunga I.V. Innovacionnye metodiki podgotovki stcenografov v kontekste kreativnoi industrii [Innovative methodics of the training scenographers in the context of creative industry] // Pedagogika i psihologia. – 2022. – №1(50). – S. 114–124. [in Russian]
Jangujinova M.E., Tukenova K.T., Ibraimova J.I., Aitkulova B.D. Primenenie mejdunarodnogo opyta professionalnogo obrazovania v Kazahstane [Аpplication of the international experience in professional education in Kazakhstan] // Tehnologia tekstilnoi promyshlennosti. Seria Novosti vysshih uchebnyh zavedeni. Ivanovski gosudarstvennyi politehnicheski universitet. – 2019. – №6(384). – S. 308–312. https://www.scopus.com/authid/detail.uri?authorId=56178164200 [in Russian]